CLAIRE NOLLEZ

Production et diffusion

studio.fictif@gmail.com

+33 663 61 24 35

TERESA ACEVEDO​

international touring

touring.studio.fictif@gmail.com 

Aina Alegre 

aina.alegre.valls@gmail.com

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DELICES, 2015

  Photographie: Hadrien Touret


 

GENERIC

Conception : Aina Alegre
Interpretation : Charlie Fouchier,  Aina Alegre
Sound creation : Romain Mercier
Lights Design : Pascal Chassan
Artistic advise : Isabelle Catalan
Production : Ryan Kernoa

Production management: Claire Nollez

Production: STUDIO FICTIF

Coproduction: Théâtre de Vanves, Festival Artdanthé. 

4 Culture and Centre Chorégraphique National de Montpellier, in the frame of Life Long Burning. 

With the support of 104 (Paris), du Centre national de la danse (accueil studio – Paris), de Format Danse (Ardèche),  de Tanz Leuk (Suisse),  du Théâtre de lʼÉtoile du Nord (Paris), de la La Ménagerie de Verre dans le cadre des Studiolabs (Paris).

 

STUDIO FICTIF has the support of DRAC Île-de-France  2015.

CALENDAR

24 March 2019 | Casa Elizalde | Barcelona

15 and 16 October 2016 | Antic Teatre  | Barcelone

12 October 2016 | Théâtre de Vanves | Paris, FR

24 September 2016 | Festival Plastique Danse Flore | Paris, FR

23 and 24 March 2016| Festival 360° - La Passarelle Scène National de Saint Brieuc

11 February, 2015 | Festival Artdatnhé - Paris 


DELICES opens towards two individuals that are facing. Partners of scene, potentially twins, isolated, together or apart, they are ready to basculate towards a fiction: they want to fuse.
The piece is presented as a pyschic laboratory about the obstinated desire of two bodies “of being together”: absorbing, penetrating, swallowing, giving one to the other and to the game.
These attemps of fusing create a multiplicity of relations to the otherone.
The relationship of the dancers is transformed in permanent, as well as the logycs and strategies that they try in order to end with the abyss that separates them.
The choreography suggests the transformation of the two bodies in one matter, a form that crosses, for the treatment of time that goes by, the plasticity of the interpreters to question their limits.
The scene is a laboratory and becomes a succession of paintings. The bodies become empty of their history. They may be innanimated as still life paintings or of vanities. The project evokes this pictoric references to show the drain time, the limits of the body and the death,
DELICES takes an insistent character, hypnotical, dumb due to the dynimic of desire of the other and the imaginary of a « human impossibility » to reach a body completeness.


 

 

REVIEWS

Les carnets de la création 
with Aude Lavigne

 

Un Soir ou un Autre

http://unsoirouunautre.hautetfort.com