Aina Alegre develops her artistic work as a choreographer, dancer and performer. After a multidisciplinary training, combining dance, theater and voice in Barcelona, she joined in 2007 the National Center of Contemporary Dance of Angers, under the direction of Emmanuelle Huynh, where she met artists and choreographers who nourished her choreographic background.
Aina is interested in the body as subject and as matter. She sees the choreographic creation as a ground for reinventing the body; to "fictionalize” it. She is interested in very different cultures and physical practices, understood as social, historical and anthropological constructions, representations, which she questions and translates into to a physical experience from a choreographic perspective. She thus articulates various choreographic objects through different media: stage props, performances, videos.
In 2009, Aina co-signed the duo, SPEED, and in 2011 she created LA MAJADESNUDA DICE. This lead to the creation of NO SE TRATA DE UNDESNUDO MITOLOGICO (solo) in 2012. In 2015 she created the piece, DELICES (duo) and in 2017, LE JOUR DE LA BETE (THE DAY OF THE BEAST) (set piece for 5 dancers).
In February 2018, Aina was invited to create, as part of MicroDanse, at the Theatre 140, in Brussels, an art form created for the occasion, 20 MINUTES WITH CLAUDE CAHUN (solo). LE JOUR DE LA BETE, DÉLICES and NO SETRATA OF A DESNUDO MITOLOGICO. In collaboration with Hadrien Touret she reordered certain performances in "cinematographic essay" like the film 12 45 84 (2010), TRIPARIA (2011) and DELICES (2014). Since 2018, Aina Alegre built her project between Île-de-France, main base of STUDIO FICTIF and Barcelone. Her projects are performed in many countries as Spain, France, Belgium, Switzerland, Peru or Romania.
Aina Alegre begin a new artistic cycle in 2020, she will create her new piece R-A-U-X-A and the project 3020 in tandem with David Wampach.
phtography: Alice Brazzit
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